Produced at the 14/48 festival, 1/15/16. The randomly drawn theme for that night: "Unfinished Business." My random actor draw: write a play for two men and two women.
Two separate, interleaved conversations: James & Nancy; Al & Patty.
JAMES: I want to get the band back together.
NANCY: Are you out of your fucking mind?
JAMES: I’m not.
NANCY: The band broke up because we all hated each other.
JAMES: That was five years ago.
NANCY: Have you even spoken to Al or Patty in the last five years?
JAMES: I just had coffee with Al.
NANCY: What?
JAMES: He’s back in town.
NANCY: When did that happen?
JAMES: I don’t know. Recently I guess.
NANCY: What about Patty?
JAMES: Al said he would talk to Patty.
PATTY: Are you out of your fucking mind?
AL: He’s been writing songs again.
PATTY: Great. He can put out a fucking solo record.
AL: Yeah I suggested that, and he said, “What am I, Paul McCartney?”
PATTY: He fucking wishes he was Paul McCartney.
AL: Anyway the point is he wants to tour again. As a band.
PATTY: He’s broke, right? That’s what this is about?
NANCY: Because it sounds like you’re broke.
JAMES: I’m not!
NANCY: Do you know how ugly it is when bands get back together because they’re broke?
JAMES: I’m not broke. I still live uptown. I just bought a $12,000 espresso machine.
NANCY: What?
JAMES: I mean, I bought it used. It has some light scuffing. Look, I’m not rich, I’m not broke, I’m just - I’m writing songs again.
PATTY: Are they any good?
AL: Yeah, the feel is definitely there. I mean, they’re just demos. But they’re really tight.
PATTY: What are they about?
AL: I don’t know. He’s just laying down scratch vocals right now. Placeholders.
PATTY: Whatever. All he ever writes about is himself.
AL: To be fair, he’s considered one of the most nuanced practitioners of the autobiographical idiom in songwriting-
PATTY: Don’t you fucking quote Pitchfork at me, Al.
AL: Sorry.
JAMES: And we didn’t all hate each other. I mean, you guys never hated each other, right? And you and Al didn’t hate me or Patty, you just hated me
and Patty.
NANCY: And Patty hated you in the end.
JAMES: Obviously, but look, I never hated anybody, not even Patty. I was sad about her, yes. I’m still sad about her.
NANCY: Ohhhh. That’s what this is about?
JAMES: What?
NANCY: You want to get the band back together so that you have a rational excuse to be in the same room with Patty again. Am I getting warm here?
JAMES: No, that’s ridiculous, I mean, I told you already, I’m just - I’m writing songs again.
NANCY: About what?
JAMES: About Patty.
NANCY: Dammit!
AL: You should come into the studio and just listen to the demos.
PATTY: There’s no point.
AL: Sure there is. They’re good songs. I think if you heard them-
PATTY: If I heard them, what? I’d drop everything going on in my life to be a side player in his band again? Because why would I do that?
AL: Well - the studio has an extremely nice espresso machine.
NANCY: Anyway you did actually hate somebody. You hated yourself. That’s what all your songs were about. That’s what Patty hated
about you in the end.
JAMES: Did she tell you that?
NANCY: No. She didn’t have to. That’s what
her songs are about.
JAMES: What songs?
NANCY: The songs on her
albums? Please tell me you’ve listened to her albums.
JAMES: I haven’t. Are they any good?
NANCY: Of course they’re good!
JAMES: Don’t say “of course” like it’s some automatic thing to write good songs.
NANCY: She spent most of her twenties playing
your songs in
your band. She had plenty of exposure to genius songwriting. Trust me, she picked up a few things. You really haven’t listened to her albums?
JAMES: I didn’t know about her albums! Are they on Spotify?
NANCY: Of course they’re on Spotify!
JAMES: See, I hate Spotify, I prefer vinyl.
PATTY: Are you recording with him?
AL: I was thinking about it.
PATTY: Why don’t you play in my band instead?
AL: What band?
PATTY: I’m opening for Airee Macpherson. East coast for sure, probably Europe.
AL: Really?
PATTY: Yes “really,” Jesus.
AL: No, I just meant - that’s huge. Congratulations.
PATTY: Thank you. It’s all happening very fast though, and I’m scrambling to pull together a touring lineup. I mean - I realize you now have access to an extremely nice espresso machine...
AL: I don’t care about the espresso machine, Patty.
PATTY: It sounded like you were pretty into it.
AL: No, I’m not into it - it’s lightly scuffed, for god’s sake.
PATTY: Anyway I hear they have espresso in Europe. If touring Europe in the near future interests you.
AL: Yes of course it does. You know, you should ask him too. The man can still play drums, Patty.
PATTY: So can my drum machine, Al. And I won’t be tempted to sleep with my drum machine.
NANCY: You can get her albums on 180 gram vinyl. You should. She practically recorded them
for you.
JAMES: I will. I’ll go to the record store right now.
NANCY: And then maybe, after you listen to them - instead of staging a big reunion tour - you can just try calling her sometime.
JAMES: But I
want a big reunion tour.
NANCY: You might not, after you listen to her albums.
JAMES: Oh.
Long pause. Why - is something wrong with the way they’re mixed?
NANCY: The mixes are
fine, you jackass! Jesus, no wonder she went solo.
End.